To Julian's disappointment the little boy climbed up on the empty seat beside his mother. His mother lumped all children, black and white, into the common category "cute," and she thought little Negroes were on the whole cuter than little white children. She smiled at the little boy as he climbed on the seat. Meanwhile, the woman was bearing down on the empty seat beside Julian. To his annoyance, she squeezed herself into it. He saw his mother's face change as the woman settled herself next to him, and he realized with satisfaction that this was more objectionable to her than it was to him. Her face seemed almost grey, and there was a look of dull recognition in her eyes, as if she suddenly had sickened at some awful confrontation. Julian saw it was because she and the woman had, in a sense, swapped sons, though his mother would not recognize the symbolic significance of this. She would feel it. His amusement showed plainly on his face.
The woman next to him muttered something unintelligible to herself. He was conscious of a kind of bristling next to him, a muted growling, like that of an angry cat. He could not see anything but the red pocketbook upright on the bulging green thighs. He visualized the woman as she had stood waiting for her tokens, the ponderous figure rising from the red shoes upward over the solid hips, the mammoth bosom, the haughty face, to the green-and-purple hat. His eyes widened. The vision of the two hats, identical, broke upon him with the radiance of brilliant sunrise."
O'Connor, Flannery. "Everything That Rises Must Converge" from Everything that Rises Must Converge. New York: Farrar, Strauss and Giroux, 1965.
Read the story or listen to it on Selected Shorts to get in on the joke! Beautiful use of clothing in fiction, underlining the plot and punctuating the moral, that exclamation point of a hat.
